That's a good point. We acknowledge some of these quotas in the paper. That said, if you play around with historical Italian charts, for example, on this site below, you can see that 10-20 years ago that there was a much larger percentage of music by large cultural exporters, like the US and UK. Streaming seems to have inhibited their cultural hegemony to a degree.
That's a good point. We acknowledge some of these quotas in the paper. That said, if you play around with historical Italian charts, for example, on this site below, you can see that 10-20 years ago that there was a much larger percentage of music by large cultural exporters, like the US and UK. Streaming seems to have inhibited their cultural hegemony to a degree.
That's a good point. We acknowledge some of these quotas in the paper. That said, if you play around with historical Italian charts, for example, on this site below, you can see that 10-20 years ago that there was a much larger percentage of music by large cultural exporters, like the US and UK. Streaming seems to have inhibited their cultural hegemony to a degree.
https://top40-charts.com/chart.php?cid=18&date=